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    12th June 2020 art-admin

    Art with Architectural Design

    Welcoming artist Susan Laughton to The Art Buyer Gallery

    We’re delighted to introduce Cheshire artist Susan Laughton to The Art Buyer Gallery.

    Susan worked in architecture before becoming a professional artist. The influence of architectural practise on her work is palpable through her subtle mark making, visible pencil lines and a serene ordered aesthetic.

    Susan Laughton’s contemporary landscape paintings evolve from half-remembered glimpses, seen from the corner of the eye, the dislocated reverie of long car journeys, or from more studied compositions. We love Susan’s landscapes for their perfectly muted palette, subtly textured surfaces and interior-friendly forms.

    We were fascinated by Susan’s process and the materials she works with and asked her to tell us more.

    Artist Susan Laughton on her process:

    I sand and score the surface of plywood paintings panels before applying a thin layer of white plaster. This is a very physical method especially on larger panels when it is a race against time getting the plaster evenly spread before it starts to set. It then has to dry for for up to three days depending on the time of year. Next I sand the plaster to achieve some smoothness whilst maintaining any interesting marks that become part of the finished work.

    After sanding I paint a solid layer of acrylic colour onto the plaster. This has to dry for a day or two. I then use pencil to very lightly mark out  the main forms of the painting based on sketchbook work, although I often adjust the forms in response to marks in the surface of the plaster. Using an etching point I score repeated parallel lines through the layer of acrylic into the plaster surface. I also scratch freehand marks into the surface and use sanding blocks to scratch and ‘draw’ into the surface, This is a risky process! Although I like the way this creates uncontrolled random marks that develop the painting beyond my initial ideas I also have to be careful that these marks don’t destroy my intended outcome, at which point I have to start again. Multiple glazes of paint are then washed over the surface, which cling to the plaster and acrylic in different ways. I then respond to these washes of colour with further sanding and etching of lines in conversation with the surface of the painting. This an emotional and subconscious approach after the analytical and methodical early stages and often feels the most successful when I feel that the painting has created itself.

    Buy art by Susan Laughton online:

    Browse a selection of Susan’s new architectural works  and painted direct on wood panels and browse her dreamy modern landscapes, in The Art Buyer online gallery now.

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